PreSonus StudioLive AR12c 12-channel Hybrid Digital/Analog Performance Mixer

$449.99 Buy It Now or Best Offer
free,30-Day Returns

Seller Store proaudiostar
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Location: Winchester, Virginia
Ships to: US,
Item: 296782734522

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Number of Buses:2
Suitable For:Studio/Recording,Stage/Live Sound,Recording & Live Sound
Number of Channels:14
Item Height:3.7 in
Item Width:15 in
Number of Line Inputs:14
PreSonus:PreSonus
Number of Mic Inputs:8
Number of Phono Inputs:1
Input/Output Ports:USB Interface,Analog XLR Out,Analog XLR In
Form Factor:Console/Tabletop
Type:MIDI Interface,Analog Mixer,Mixing Console
PreSonus StudioLive AR12c:PreSonus StudioLive AR12c
Item Weight:14.57 lbs

DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer PreSonus StudioLive AR12c 12-channel Hybrid Digital/Analog Performance Mixer 12-channel Hybrid Digital/Analog Performance Mixer – Open Box – Description Portable. Affordable. Recordable. 12-channel USB-C Compatible Audio Interface / Analog Mixer / Stereo SD Recorder Audio Recording Made Easy. Don’t let the classic analog mixer design fool you—the StudioLive AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14×4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder… and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators. A Full-Featured Audio Interface. The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer. The Channel That Does It All… Even Bluetooth Connectivity! The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap. A Complete Recording Solution For Studio And Stage. The StudioLive AR12c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture live-recording software. Create complete studio productions with our award-winning Studio One Artist DAW. With two professional recording applications included with your StudioLive AR12c, you’re ready to record right out of the box. Stereo Recording Without A Computer. Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. Effects Without Latency. Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR12c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart’s content. All The Connections You Need With A Familiar Look. Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator. Features/Specs Recording14x4 24-bit/96 kHz, USB 2.0 (over USB-C connection) audio recording interfaceRecord every channel plus the main mix2x2 SD recorder to capture the main mixSupports SD and SDHD formats up to 32 GB Mixing14-channel analog mixer8 balanced microphone inputs with XMAX mic preamps2 insert points2 instrument/line inputs12 balanced line level inputs:4 mono4 stereo pairsStereo Super Channel (Ch. 13/14) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback4 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS outputL/R Control Room outputs with level controlHeadphone output with level control Signal ProcessingHighpass filter on every channel3-band quasi-parametric EQ with sweepable mid-band on each mono channel3-band semi-parametric EQ on each stereo channelStereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jackMic/line boost on stereo channels for low-level input sources and consumer devices Included SoftwareCapture live multitrack recording softwareStudio One Artist recording and production software (DAW)Studio Magic plug-in suite PowerInternal power supplyStandard IEC power connector PhysicalSturdy metal construction60 mm fadersOptional rackmount kit Computer System Requirements Below are the minimum computer-system requirements for use with Capture and Studio One. MacmacOS 10.11 or higher (64-bit only)Intel Core 2 Duo processor (Intel Core i3 or faster recommended) WindowsWindows 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64Intel Core 2 Duo (Intel Core i3 or faster recommended) Mac and Windows Systems4 GB RAM (8 GB or more recommended)30 GB hard-drive space (Studio One)Internal or external 7200 RPM storage drive highly recommendedMonitor with 1366×768 resolution (high-dpi monitor recommended) Technical Specifications Microphone PreampType : XLR Female, Class A XMAXMaximum Input level (unity gain) : +9 dBu ±1.0 dBGain Control Range : 43 dB (+12 to +55 dB)Frequency Response to Analog Outputs : 20 Hz to 20 kHz, +0.5/-1.5 dBFrequency Response to USB (Direct) : 20 Hz to 20 kHz, +0.5/- 1.5 dBS/N Ratio to Outputs (+4 dBu) : 94 dBTHD+N (min. gain, A-wtd) : < 0.01%Input Impedance : 1 kΩEIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) : Mono Channels: < 128 dBuCommon Mode Rejection Ratio (1 kHz, +55 dB gain) : 65 dBPhantom Power : +48V, ±3V, Global Instrument InputsType : ¼” TS Female, Unbalanced, Hi-ZMaximum Input Level (min. gain, 1 kHz@0.5% THD+N) : +9 dBu ±1.0 dBGain Control Range : 43 dB, ±1 dB (+12 to +55 dB)Frequency Response to Analog Outputs : 20 Hz to 20 kHz, +0.5/-1.5 dBFrequency Response to USB (Direct) : 20 Hz to 20 kHz, +0.5/-1.5 dBDynamic Range (min. gain, A-wtd) : > 105 dBDynamic Range (mid. Gain, unwtd) : > 108 dBTHD+N (1 kHz, -1 dBFS, A-wtd) : < 0.01%THD+N (1 kHz, -1 dBFS, unwtd) : < 0.01%Input Impedance : > 1 MΩ Line InputsType : ¼” TRS Female, BalancedMaximum Input Level (min. gain, 1 kHz@0.5% THD+N) : +26 dBu ±1.0 dBGain Control Range : Mono Channels : 40 dB, ±1 dB (-5 to +35 dB), Stereo Channels : 0 dB or +10 dB (+10 dB Boost)Frequency Response to Analog Outputs : 20 Hz to 20 kHz, +0.5/-1.5 dBFrequency Response to USB (Direct) : 20 Hz to 20 kHz, +0.5/-1.5 dBS/N Ratio to Analog Outputs (+4 dBu) : 85 dBTHD+N (1 kHz, -1 dBFS, A-wtd) : < 0.01%Input Impedance (Balanced) : 10 kΩ Main, Control Room, Monitor, and FX OutputsType (Main Outputs) : XLR Male, Impedance BalancedType (Control Room, Monitor, FX Outputs) : ¼” TRS Female, BalancedRated Output Level (Main Outputs) : +24 dBu, ±1.0 dBRated Outputs Level (Control Room, Monitor, FX Outputs) : +18 dBuFrequency Response : 20 Hz to 20 kHz, +0.5/-1.5 dBDynamic Range (A-wtd) : > 108 dBTHD+N (Bandwidth 20 Hz – 20 kHz, -1 dBFS, unwtd) : < 0.01%Output Impedance : 100 Ω Headphone OutputType : ¼” TRS Female, Stereo, UnbalancedMaximum Output Level : 150 mW/channel @ 60 ΩFrequency Response : 20 Hz to 20 kHz, +0.5/-1.5 dBDynamic Range (A-wtd) : > 103 dBTHD+N (Bandwidth 20 Hz – 20 kHz, -1 dBFS, unwtd) : < 0.01% System CrosstalkInput to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) : -90 dBuAdjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) : -85 dBu Signal Level LEDSignal : -30 dBFS (pre-EQ)Clip : -3.0 dB before clip (pre- or post-EQ) Channel EQLow Cut : 100 Hz, -18 dB/OctaveHigh Shelving : ±15 dB @ 10 kHzMid Peaking (Mono Channels) : ±15 dB @ 140 Hz to 3.5 kHz (variable)Mid Peaking (Stereo Channels) : ±15 dB @ 2.5 kHzMid-Band Q : Boost: 1.0, Cut: 2.5Low Shelving : ±15 dB @ 100 Hz Digital AudioHost Interface : USB 2.0ADC Dynamic Range (Component) : 114 dBADC Dynamic Range (Measured: A-wtd, 48 kHz) : 105 dBDAC Dynamic Range (Component) : 114 dBDAC Dynamic Range (Measured: A-wtd, 48 kHz) : 105 dBSignal-to-Noise (a-weighted) : -96 dBBit Depth : 24-bitInternally Supported Sample Rates : 44.1, 48, 88.2, 96 kHzJitter : < 80 ps RMS (20 Hz – 20 kHz)Jitter Attenuation : > 60 dB (1 ns in => 1 ps out) SD RecorderSupported Media Format : FAT16 formatted SD card, FAT32 formatted SDHC cardMedia Storage Capacity : SD card: 2 GB; SDHC card: 32 GBRecording File Format : Stereo WAVPlayback File Formats : Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)Sampling Rate (WAV) : 44.1 kHzBit Depth : Recording : 24-bit, Playback : 16- or 24-bit Power/EnvironmentalConnector : IECInput Voltage Range : 90 to 240 VACRecommended Ambient Operating Temperature : 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit PhysicalHeight : 3.5” (89 mm)Width (Chassis only) : 15” (381 mm)Depth : 15.6” (397 mm) We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn’t want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. “Special Orders”, discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.

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