Exumer Possessed By Fire CD +Poster slayer sodom kreator Overkill celtic frost

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Artist:Bathory,Darkthrone,Destruction,Iron Maiden,Mayhem,Megadeth,Metallica,Morbid Angel,Morbid Saint,Sepultura,Slayer,Sodom,Exumer,demolition hammer,possessed,bolt thrower,deicide
CD Grading:Mint (M)
Record Label:high roller records
Release Title:Possessed By Fire
Publication Name:Possessed By Fire
Book Title:Possessed By Fire
Case Condition:Mint (M)
Inlay Condition:Mint (M)
Edition:Anniversary Edition,Deluxe Edition
High Roller:High Roller
Type:Album
Format:CD
Release Year:2020
Language:English
Style:1980s,Black/Gothic Metal,British Metal/NWOBHM,Death Metal,Doom/Sludge Metal,Folk Metal,Funk Metal,Glam/Hair Metal,Gothic Metal,Grindcore,Heavy Metal,Industrial Metal,Metal-Compilations,Metalcore,New Metal,Nu Metal,Pop Metal,Power/Progressive Metal,Progressive Metal,Punk/New Wave,Punk Metal,Rap Metal,Speed & Trash Metal,Stoner Metal,Symphonic Metal,Thrash & Speed,True Metal
Author:Exumer
Features:Import
Genre:Metal
Movie/TV Title:Possessed By Fire
Country/Region of Manufacture:Germany

Brand new, SEALED CD EXUMER – POSSESSED BY FRE High Roller Records, slipcase, poster, 16 page booklet, incl. “A Mortal in Black” demo! mastered by Patrick W. Engel at Temple of Disharmony —- HRR 296 CD, 16 page booklet, HRR 296CDSC, slipcase, poster & 16 page booklet Mem von Stein – Vocals, BassBernie – GuitarsRay Mensh – GuitarsSyke Bornetto – Drums -Possessed by Fire-Destructive Solution-Fallen Saint-A Mortal in Black-Sorrows of the Judgement-Xiron Darkstar-Reign of Sadness-Journey to Oblivion-Silent Death -A Mortal in Black-Scanners-Silent Death Remastered by Patrick W. Engel at TEMPLE OF DISHARMONY, November 2012. Remember what you did in 1986? If you were among the chosen few, you got yourself a vinyl copy of Exumer’s stunning debut “Possessed By Fire”. If not… well, we have good news for those who had been 1.) not yet born 2.) simply too unaware: High Roller Records are helping you to make up for this epic failure! Singer Mem von Stein explains the reasons for the re-release of the band’s debut:“Our main objective was to give our fans the opportunity to purchase ‘Possessed By Fire’ on vinyl, knowing that High Roller Records are going to release the best possible version of our debut album in regards to quality and love for the detail.”“Possessed By Fire” was re-mastered by Patrick W. Engel at Temple of Disharmony – a good choice in Mem’s eyes: “I trust the people behind High Roller Records and I have been a fan of their releases long before our deal concerning the re-release of ‘Possessed By Fire’ came into being.” The additional bonus 7’’ which comes with the album is something Mem is completely excited about: ”For the very first time, our first demo ‘A Mortal in Black’ will be released on vinyl, and it is definitely the thing that will set this re-release apart from any other releases of ‘Possessed By Fire’ out there. You should know that I am a vinyl collector, and that this matter is very close to my heart.”After having been vanished from the scene for about twenty years, the re-release is only one of many signs showing that Exumer are still alive and kicking. So how does it feel to be back again? “It’s unbelievable to still feel like a relevant band after all these years and given the huge hiatus in between releasing albums. We are very fortunate to have the fans we have and to have their loyal support, which now spans multiple generations. It’s amazing to see people our age coming to our shows and bringing their teenage kids with them, standing there right next to people in their twenties or thirties. It’s quite an honour, and it feels great to have an impact on so many different people’s lives.” One might think that it could not have been too easy to tie up to what this band started almost 30 years ago, but Mem denies: “It was not more or less difficult than anything else in life is, once you know what you want to accomplish, and if you are determined to reach that goal.”General opinion has it that Exumer were somewhat buried under the immense popularity of Destruction, Sodom, and Kreator, although Exumer still retain a respectable cult following to this day. Now how does Mem remember 1986, the year when all those legendary German thrash albums came out? “It was an incredible time, and I feel privileged to have been a part of this era. We were always different from those bands, and we still remain different to this day. I am happy for all the German thrash bands that are still active today, and I can only wish the best success for the three you have mentioned. We got what we deserved in regard to popularity, and I never felt that we ever were ‘less than’” Therefore Mem does not at all regret to have chosen the year 1986 for the first release of “Possessed By Fire”: “Everything happens for a reason. This is not meant to sound too much like a cliché, but this is how it happened, and there is no reason for us to look back. Ray and I founded the band in 1985, and we released our first album in 1986, that makes total sense to me…” Moreover, Mem doesn’t feel like the band’s debut did not get enough of the attention it deserved: “You have to remember that we sold roughly 10.000 copies shortly after ‘Possessed By Fire’ was released, and it went on to sell a whole lot more than that worldwide. So I think we did well enough. The only thing that makes me wonder is this: What would have happened if we had not split up?”Exumer already played some shows in the past couple of years, both in the States, headlining the Thrasho de Mayo festival in Los Angeles, and in Europe, where the ”European Ignition Tour Part I&II” took them to Norway’s Inferno Festival and many other places in the old world. It will of course be possible to see Exumer playing live again in the future: “Yes, look out for a few European dates in March, 2013 and then check us out on some of the summer festivals and our European tour in fall.” So be aware: once back from the dead, Exumer are here to stay: “We will not disappear from the scene again, we promise!” Ulrike Schmitz I’ve been told before, by many metal maniacs, that despite it not being my subgenre of choice, I have a somewhat unique taste in thrash. This really isn’t true though, because ultimately every so-called “unique” band among my thrashing veterans of choice is just another cult classic that every die-hard fan of the niche is familiar with. Nothing truly obscure, just a bit overlooked in the mainstream at most. I think this is because I never really connected with the hyper thrash community that much, and I was very choosy with the stuff they held in the highest regard. Upon hearing most of the canonical thrash material and finding myself only mildly enjoying Metallica and Megadeth, if not being totally indifferent to them, I realized that I wasn’t going to become a career thrasher, rather just picking a few gems for when I craved the style. Whether they were world famous like Slayer, well known in the scene like Overkill or Destruction (the latter bands are my top 3 thrash institutions), or slightly overshadowed by others in their niche, I seemed to eschew the conventional wisdom of what was regarded as the best thrash and just kind of went my own way. The latter category of bands contains one of the best examples of the selected thrash metal I got really into, that being Frankfurt’s Exumer. Sure, I’m also big on Dark Angel, Sacrifice, Assassin, and a handful of other slightly less mainstream thrash metal bands scattered about the globe, but I feel that although Exumer is considered a canonically relevant entity in thrash, especially in the teutonic scene, they’re far too dismissed by thrash veterans for how enjoyable their music is. It kinda goes to show that I don’t really “get” thrash. Exumer stole Slayer riffs, they’re a bit generic, they don’t have that many albums, what have you, and these are reasons they’re seldom placed near the top of thrash lists. Me, I don’t care, I just really like them for the style, especially 1986’s Possessed By Fire. I don’t know what it is, but despite the blatant influences on the riffs, it just feels like a classy and surprisingly distinct bit of metal. I like the songwriting, the vocals, the tone of the instruments, the tracklist, everything really. Hell, even the mascot is one of my favorites in all of metal and I’d like a mask and jacket just like that to wear for my mischief nights. Anyway, before I dissect the songcraft on PBF to expose what it is I so connect with about it, I’d just like to talk about a trend I’ve picked up on – lesser fans of a niche are going to have choosier, more eclectic taste in it than the diehard fans, who will swear by the canonical material, AS WELL as the cult classics, generally. I know this to be true because I can provide a personal example. Doom is my favorite genre, and I never shut up about Master of Reality and Born Too Late. I really cannot emphasize that trend enough, because to me, it’s a bit of a catharsis in that it explains why this album I hold in high regard has been such an enigma for me. I want to call it criminally underrated, but at the same time I understand why it’s met with some dismissal. I guess I just love it because I don’t truly understand this music. At any rate, the songs here are remarkably consistent at the very least. Slayer riffs are everywhere, but hey, if you’re gonna steal from anyone, steal from the best, right? It makes for a very literally “thrashy” and punchy listening experience, and this is evident from the first notes of the classic title track after a captivating choir intro. Tell me, exactly, in what regard is the title track not an outstanding thrash composition? It’s intense, unrelenting, and has enough changes to keep the energy up for all four minutes. The tone of the music is actually far less grim than Slayer or Kreator circa 1986, feeling slightly more rooted in traditional heavy metal themes. This is one of the aspects that makes this album such a classy bit of metal, as I said above. Basically, it’s dark but not overly so, and is therefore quite accessible. I quite like dark thrash, death/thrash and the like, but Exumer shows they can play heavy metal inspired thrash and execute it very well. An example of the latter would be the melodic solo bridge in “Destructive Solution” which does have a bit of an Iron Maiden vibe. Other components heard in tracks such as “Sorrows of the Judgement” feel a bit Mercyful Fate inspired, while the mid-tempo thrashing of “A Mortal in Black” highlights the roots of thrash in NWOBHM from Blitzkrieg to Diamond Head. Now, as far as composition goes, there is a notorious black sheep here, and that is “Fallen Saint.” The chorus riff is a direct ripoff of “Black Magic”, as I’m sure other reviews have pointed out. But honestly, it’s used well enough and is frankly a much more driving song than the overrated sixth track from Slayer’s debut effort ever was. Tracklist-wise, “Xiron Darkstar” is also an exceptional and adventurous thrash tune, with an excellent verse riff that, again, sounds heavily Slayer influenced, but is this time more original – I see that type of thing as being the true mark of genuine influence – writing in the same vein without directly borrowing from any one tune. Finally, “Silent Death” is one of my favorite album closers ever – nuclear annihilation is always a good subject to wrap up with. Other highlights would be the bass and vocals. Not all thrash has bass that comes through and adds this much punch to the music, so in this case it really pops with the guitar tone. For a traditional heavy metal-rooted thrash metal album, this shit is really “thrashy.” The vocals, meanwhile, are similar to Schmier from Destruction, but feel a bit less hostile and cynical, instead opting for a bit more energy and “fun’, further cementing the heavy metal roots. When your sound and songwriting is this strong and your influences are wielded this tastefully, you’ve got a recipe for high marks in my book. Exumer’s debut, Possessed By Fire, may indeed be considered second-rate thrash and perhaps rightfully so, but there is a great deal of material here that justifies it being one of my favorite releases in the style, and I think I speak for other fans and proponents of this album when I make these points. One other thing I would like to note before wrapping up is the fun, endearing, and innocent spirit in which this gem of a band was founded – they considered spelling their name the correct way, “Exhumer”, but one of the guys’ dads (I think) suggested they remove the “h”, in order to make it distinctly their own. It worked, didn’t it? To this day, typing the name “Exumer” on Encyclopaedia Metallum takes you directly to their page! Exumer is a German thrash metal band that emerged in the mid-1980s, known for its raw, aggressive style and intense energy. Formed in 1985 in Wiesbaden, the band quickly became part of the burgeoning thrash metal scene in Germany, alongside other notable acts like Kreator, Sodom, and Destruction. Their debut album, “Possessed by Fire” (1986), is a quintessential example of the raw and fast-paced thrash metal sound that defined the era. The album features razor-sharp riffs, breakneck drumming, and harsh vocals, delivering a relentless sonic assault that earned the band a dedicated following. Tracks like “Possessed by Fire,” “Destructive Solution,” and “Fallen Saint” highlight their intense approach to thrash metal, characterized by tight, fast, and furious instrumentation. The band’s follow-up album, “Rising from the Sea” (1987), continued in the same vein, though it featured a different lineup, including new vocalist/bassist Paul Arakari. This album solidified their reputation in the underground metal scene, although internal issues led to the band’s dissolution in 1991. Exumer reunited in 2008, releasing new material that stayed true to their thrash metal roots while updating their sound for modern audiences. Albums like “Fire & Damnation” (2012) and “The Raging Tides” (2016) showcased their ability to deliver powerful thrash metal with the same intensity that marked their early work. Similar ArtistsFor fans of Exumer, here are 50 similar artists who share the aggressive, fast-paced, and raw energy of classic thrash metal: KreatorSodomDestructionTankardHoly MosesAssassinDeathrowProtectorVendettaArtilleryRazorWhiplashDark AngelExodusVio-LenceForbiddenSacred ReichOverkillSlayerTestamentHeathenDeath AngelPossessedMorbid SaintSepultura (early era)SacrificeAnnihilatorOnslaughtFlotsam and JetsamNuclear AssaultSadusDevastationRigor MortisAt WarDemolition HammerHiraxD.R.I. (thrash era)M.O.D.EvildeadZoetropeCycloneExhorderExumerMessiahParadoxIron AngelLiving DeathMetal ChurchDespairCoroner

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